I hate to go back and keep tweaking on past pieces.
The whole idea of the Menthol Ziggurat CD was to be done with 2008 and moved forward in 2009.
But now I'm caught up in remixing, adjusting, adding, deleting, exporting and burning to disc, only to find what suddenly sound like glaring errors (e.g. piercing/blaring hihat), or areas lacking crucial components (e.g. obvious need for addition of a bass guitar line, where there were only low, sustaining synth lines). Aaaaand repeat.
It's all worth it in the end, but I just don't like being caught in that trap. It's like what they always said in art school, "Don't make it too precious." Meaning, I believe, don't tweak out on the same piece over and over, just decide that it's finished, move forward and create your next piece.
I thought it was just a Sunday night's work, but I'll have to give myself an extra week. Well, in my reality, a week of studio work is actually, on average 1 to 2 hours each weekday.
And now, here is the preceding blog entry translated into Japanese and back into English, using Babel Fish:
" Because I the embankment have put out the song of the deck intended for specifying, as for me it was necessary to make those high quality editions music CD. As for this me it went to the project file again, it led in order to export those of the format of the wave. If there, you try the fact that I adjust small-numbered minor trouble here and there; Note etc of the bass of strange synth which the cymbal excessively here, the cymbal and it should delete with yell are let escape there. I return, hate the fact that twist it continues the past part. All thought of CD of Ziggurat of menthol makes 2008, to 2009 should be moved first. But now I' It overtakes, adjusts just m and adds with [rimitsukusu], deletes, exports to the disk and sounds suddenly, for example it is addition because of the based guitar line which or the serious part (was low simply and is and the synth line which is supported for example in clear necessity) the error whose area ones which have been lacking are clear (boring the hole or hihat which echoes) the way in order to find, it burns. The repetition of Aaaaand. It' Finally, with that value but all s I exactly don' T like the thing which is caught with that trap. It' As for s they always saying in the school of fine arts, " You like; Don' As for t to that precious." It makes excessively; Meaning, as for me, don' It believes; Many times the mental agony of t of the same part exactly thing it' It decides; It advances s which it ends, draws up your following part. I that exactly Sunday night' You thought of that is; The work of s, but I' ll must give excessive week to by your. With that, in my actuality, as for week of work of studio when in 2 hours, it averages, each weekday." Actually it is;
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